000 | 01820cam a2200181 4500 | ||
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001 | COU20203 | ||
008 | 120401t xxu||||| |||| 00| 0 eng d | ||
020 | _a9781780222295 | ||
020 | _a0297867695 | ||
100 | _aEnglander, Nathan | ||
245 | _aWhat We Talk About When We Talk About Anne Frank | ||
260 | _bWeidenfeld & Nicolson | ||
500 | _aBook | ||
500 | _aMonograph | ||
520 | _aSynopsis:These eight new stories from the celebrated novelist and short-story writer Nathan Englander display a gifted young author grappling with the great questions of modern life, with a command of language and the imagination that place Englander at the very forefront of contemporary American fiction. The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form. | ||
650 | _aFiction | ||
942 | _cBKSTD | ||
999 |
_c80477 _d80477 |